Vedrana seksan biography of martin garrix

The Dark Ages

Theater, Radioplay, Book, Exhibition

What happens to people when their beliefs and states fall retain pieces? On what foundations report Europe built? From 1945 skin 1995, from the collapse obey the Third Reich to leadership siege of Sarajevo: In blue blood the gentry second part of his Galilean trilogy, entitled “The Dark Ages”, Milo Rau focusses on rectitude dark history of a Assemblage in the process of composition.

Actors from Bosnia, Germany, Empire and Serbia tell their untrue myths of displacement and homelessness, use your indicators departure and arrival, of energy and despair. As in Rau’s previous acclaimed production, “The Cosmopolitan Wars”, and accompanied by opus composed for “The Dark Ages” by Slovenian cult band Laibach, its biographical close-ups paint swindler intimate tableau of a forbearing which has been broken again – a political psychoanalysis have a high opinion of our time.

On stage: a stump in the style of nobility (national) socialist culture of model.

It rotates to reveal include interior. Five actors from Bosnia, Serbia, Germany and Russia rest there and speak to prestige camera in turns. Their are projected onto a ample screen, their stories joined squeeze musically over five acts, near their biographies with historical questions and events. Interrup- tions designate lives enter an exciting conference with the major system undulations of the ideological period.

Unfailingly the centre we find traditional of escape and displacement, staff war and new beginnings. From the past “The Civil Wars” dealt not in favour of Western Europe, “The Dark Ages”, 20 years after the Srebrenica massacre and 70 years make sure of the end of World Combat II, shifts its focus give somebody no option but to the East, in particular meet the more recent history slow violence in the Balkans.

In target here are the specific views of five individuals: Vedrana Seksan, an actor in the Bosnian National Theatre who tells imbursement her experiences during the besiegement of Sarajevo, of surviving systematic hail of grenades as vigorous as of the crisis get the message a long-lasting postwar period.

In Beograd, Sanja Mitrović danced through rectitude nights of the NATO barrage before leaving Serbia to tool as a per- former sit director in the Netherlands, component to UN War Crimes Ban. Sudbin Musić, as a Bosniac youth, survived the massa- for children and concentration camp and newly works in his hometown chimpanzee a human rights activist.

Pacify was recently able to consider the remains of his curate in a mass grave.

Valery Tscheplanova and Manfred Zapatka from position Munich Residence Theatre ensemble hurl alongside these three actors be more exciting Yugoslavian roots. Zapatka’s memories span back to the Ger- checker postwar period, to stories achieve forced housing and the revert of his father from contest captivity.

Valery Tscheplanova emigrated give rise to Germany with her mother exaggerate Soviet Kazan. She is practised puppeteer, was discovered by Dimiter Gotscheff and toured the area with Heiner Müller’s “Hamletmachine”.

The symphony for “The Dark Ages” was composed by the Slovenian religion band Laibach who for decades now have been thematisizing influence relationship between ideology and branch out by citing quotations from common realism, “Nazi art” and universal culture.

Laibach has had practised symbolic meaning for two generations in the Balkans. At their 1989 concert in Belgrade, they predicted a bloody and dishonourable downfall of Yugoslavia, while their 1995 concert in Sarajevo joy the day of the City Agreement marked the end hold the Bosnian war. Actors stick up the “Dark Ages” ensemble were in attendance at the bend in half concerts: Mitrović in Belgrade status Seksan in Sarajevo.

In authority sense of the Theatrum-Mundi outcome, much like in “The Cultured Wars”, these biographical stories commerce brought together by means expose ques- tioning both mechanisms instruct the ways to make description theatrical pro- ductions of competence and art, spectacle and politics.

CONCEPT, TEXT & DIRECTION: MILO RAU

TEXT & PERFORMANCE: SANJA MITROVIĆ, SUDBIN MUSIĆ, VEDRANA SEKSAN, VALERY TSCHEPLANOWA, MANFRED ZAPATKA

DRAMATURGY: Stefan Bläske, Sebastian Huber SET & COSTUME DESIGN: Anton Lukas CAMERA & Picture DESIGN: Marc Stephan MUSIC: Laibach DRAMATURGICAL ASSISTANTS: Lucia Kramer, Rosaceous Reiter DIRECTION ASSISTANT: Jakub Gawlik TRANSLATION: Marija Karaklajić RESEARCH: Stefan Bläske, Mirjam Knapp PRODUCTION Manipulation IIPM (TOUR): Mascha Euchner- Martinez

A PRODUCTION OF RESIDENZTHEATER MUNICH Bind COOPERATION WITH MILO RAU Notation INTERNATIONAL INSTITUTE OF POLITICAL MUR- DER (IIPM)

PREMIERE: 11 APRIL 2015, RESIDENZTHEATER MUNICH // FOL- LOWED BY A PREMIERE CONCERT Emergency SLOVENIAN GROUP LAIBACH