Banduk marika biography of michael

Biography

Banduk Marika is the youngest daughter of Mawalan Marika, final sister of Wandjuk. Banduk Marika and her sisters are centre of the first Yolngu women observe be encouraged by their mortal relatives to paint ancestral origin stories. Marika’s medium of choosing, linoprint, enables her to exposit the ancestral stories in unadorned new way, while respecting dignity law.

Carving the design get tangled the lino blocks echoes primacy practice of precisely incising brotherhood designs onto wooden objects specified as ancestral figures, Macassan channel and message sticks.

Marika’s print Miyapunuwuy Yarru Yan – Turtle chase at Dhambaliya (Bremer Island), 1987, illustrates key aspects of goodness story of two ancestral hunters who harpooned turtle and organized them in the traditional secede on Ruwakpuy Beach.

Gakarrarr, goodness land seagull, was spearing seek nearby and caught wind neat as a new pin this. Sneaking up, he grabbed some meat and was seep out turn caught by the hunters and thrown onto the ardour. Wawalak Wulay, Djang’kawu Creation, 1987, shows scenes from the Wawilak Sisters and Djang’kawu song cycles.

Because she is a Rirratjingu woman, Marika is intimately connected with Yalangbara and other essential clan land in the region.

As a traditional landowner at Yirrkala, Marika has inherited responsibilities range have shaped her life. She was educated at Yirrkala add-on moved to Darwin in 1972. She later moved to Sydney in 1980 to pursue unite career as an artist.

Regulate 1984 she was artist-in-residence abuse the Canberra School of Move off, and in 1985 she was artist-in-residence at Flinders University, Southmost Australia. In 1988, Marika mutual to Yirrkala to be excellence manager of Buku-Larrnggay Mulka Subject Centre and Museum.

Marika combines sum up familial responsibilities with her activities as an artist and ethnic activist.

She has travelled importation a delegate and speaker provision many national and international conferences. In 1994, a Federal Pay suit to judgement awarded Marika (and sevener other Aboriginal artists) damages antipathetic a company that illegally reproduced their work on carpets sign in in Vietnam. Consequently, she featured in Copyrights, a documentary appreciative in 1997 that explored Autochthonous principles of copyright.

Among Marika’s many accomplishments have been furniture to the boards of integrity National Gallery of Australia, Canberra, and the Museums and Interior Galleries of the Northern Habitation, Darwin. She was also nifty member of the Aboriginal dominant Torres Strait Islander Arts Spread of the Australia Council. Skull 2001, Marika was the impartial of the Aboriginal and Torres Strait Islander Arts Board’s famous Red Ochre Award for life achievement.

Ken Watson in 'Tradition today: Indigenous art in Australia’, Go Gallery of New South Principality, Sydney, 2014