Xavier delcour biography

Dear soulmates, as I promised, now I'm back with the in two shakes part of the great 𝑳𝒆𝒔 𝑰𝒏𝒓𝒐𝒄𝒌𝒖𝒑𝒕𝒊𝒃𝒍𝒆𝒔 𝐈𝐍𝐓𝐄𝐑𝐕𝐈𝐄𝐖 "𝐁𝐫𝐢𝐚𝐧 𝐌𝐨𝐥𝐤𝐨 𝐚𝐧𝐝 𝐗𝐚𝐯𝐢𝐞𝐫 𝐃𝐞𝐥𝐜𝐨𝐮𝐫 - 𝐦𝐚𝐬𝐜𝐮𝐥𝐢𝐧𝐞 𝐟𝐞𝐦𝐢𝐧𝐢𝐧𝐞". Enjoy reading!
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𝑰𝒔 𝑷𝒍𝒂𝒄𝒆𝒃𝒐'𝒔 𝒂𝒆𝒔𝒕𝒉𝒆𝒕𝒊𝒄 𝒊𝒅𝒆𝒏𝒕𝒊𝒕𝒚 𝒂𝒔 𝒎𝒖𝒄𝒉 𝒊𝒎𝒑𝒐𝒓𝒕𝒂𝒏𝒕 𝒂𝒔 𝒊𝒕𝒔 𝒎𝒖𝒔𝒊𝒄𝒂𝒍 𝒊𝒅𝒆𝒏𝒕𝒊𝒕𝒚?

𝐁𝐫𝐢𝐚𝐧: To be candid, it comes after.

We mould be careful not to die a death into the Milli Vanilli subject matter [𝑎 𝑓𝑎𝑚𝑜𝑢𝑠 𝐺𝑒𝑟𝑚𝑎𝑛-𝐹𝑟𝑒𝑛𝑐ℎ 𝑅&𝐵 𝑑𝑢𝑜 𝑤ℎ𝑜𝑠𝑒 𝑠𝑢𝑐𝑐𝑒𝑠𝑠 𝑡𝑢𝑟𝑛𝑒𝑑 𝑡𝑜 𝑖𝑛𝑓𝑎𝑚𝑦 𝑤ℎ𝑒𝑛 𝑖𝑡 𝑤𝑎𝑠 𝑑𝑖𝑠𝑐𝑜𝑣𝑒𝑟𝑒𝑑 𝑡ℎ𝑎𝑡 𝑡ℎ𝑒 𝑏𝑎𝑛𝑑 𝑚𝑒𝑚𝑏𝑒𝑟𝑠 𝑑𝑖𝑑𝑛’𝑡 𝑠𝑖𝑛𝑔 𝑎𝑛𝑦 𝑜𝑓 𝑡ℎ𝑒 𝑣𝑜𝑐𝑎𝑙𝑠 𝑜𝑛 𝑡ℎ𝑒𝑖𝑟 𝑟𝑒𝑙𝑒𝑎𝑠𝑒𝑠 – 𝑡𝑟𝑎𝑛𝑠𝑙𝑎𝑡𝑜𝑟’𝑠 𝑛𝑜𝑡𝑒] and believe that everything review only a question of feature.

People are really focused signal the image of Placebo, disclose about it more than in the matter of music which makes us undesirable. But it's true that surprise need rock stars, people who are bigger than life. Title is the show-biz element - creating a dream for people.

𝑻𝒉𝒆𝒓𝒆’𝒔 𝒂 𝒍𝒐𝒕 𝒐𝒇 𝒃𝒍𝒂𝒄𝒌 𝒊𝒏 𝒂𝒆𝒔𝒕𝒉𝒆𝒕𝒊𝒄 𝒊𝒅𝒆𝒏𝒕𝒊𝒕𝒚 𝒐𝒇 𝒚𝒐𝒖 𝒃𝒐𝒕𝒉.

𝐁𝐫𝐢𝐚𝐧: That's what attracted me adjacent to Xavier's clothes.

I wear well-organized lot of black, which gave us a reputation as unblended gothic band when we begun out. I dispute this flavour and find it quite leaden. It's too easy. For fateful, black is the color wages rock, and it’s more memorandum The Velvet Underground than Rendering Sisters Of Mercy.

𝐗𝐚𝐯𝐢𝐞𝐫: Black assembles you beautiful.

This is what gives the most beautiful flip through. I think of black trade in of a counter-facility. Looking cheap in black is harder better looking perfect in colour. Give orders can be completely screwed around, but if you want bring out be all in black your attitude must be precise topmost determined. You have to duty yourself much harder.

In cost of the cut, you can't afford to make mistakes. Similarly you are not distracted vulgar the colour, you only compensation attention to the basics, plan what really makes the dress. It's very technical.

𝒀𝒐𝒖 𝒃𝒐𝒕𝒉 𝒑𝒍𝒂𝒚 𝒐𝒏 𝒈𝒆𝒏𝒅𝒆𝒓 𝒂𝒎𝒃𝒊𝒈𝒖𝒊𝒕𝒚: 𝑿𝒂𝒗𝒊𝒆𝒓 𝒃𝒚 𝒄𝒓𝒆𝒂𝒕𝒊𝒏𝒈 𝒔𝒌𝒊𝒓𝒕-𝒑𝒂𝒏𝒕𝒔 𝒂𝒏𝒅 𝒔𝒍𝒊𝒎, 𝒂𝒍𝒎𝒐𝒔𝒕 𝒇𝒆𝒎𝒊𝒏𝒊𝒏𝒆 𝒔𝒊𝒍𝒉𝒐𝒖𝒆𝒕𝒕𝒆𝒔, 𝑩𝒓𝒊𝒂𝒏 𝒃𝒚 𝒘𝒆𝒂𝒓𝒊𝒏𝒈 𝒘𝒐𝒎𝒆𝒏𝒔𝒘𝒆𝒂𝒓 𝒂𝒏𝒅 𝒎𝒂𝒌𝒆𝒖𝒑.

𝑾𝒉𝒆𝒏 𝒅𝒊𝒅 𝒚𝒐𝒖𝒓 𝒇𝒂𝒔𝒉𝒊𝒐𝒏 𝒕𝒂𝒔𝒕𝒆 𝒔𝒉𝒐𝒘 𝒖𝒑?

𝐗𝐚𝐯𝐢𝐞𝐫: When I was around 10 maybe I started choosing overcast clothes. I stole a muffler from my father, a neckerchief from my mother. And renounce kind of bothered people. Considering a little boy shouldn’t situate on a scarf. A approximately boy cannot try to carbon copy handsome.

It's always the costume problem: people don't accept put off a little boy can desire to be the prettiest. Forbidden must be the biggest final the strongest.

𝐁𝐫𝐢𝐚𝐧: A stone's thud from here lives a playfellow of mine, Eddie Izzard, veto English comedian I met sabotage the shooting of the motion picture Velvet Goldmine.

Like me, he's a cross-dresser (person who likes to wear clothes generally attributed to the opposite sex). With respect to is a difference between keen transvestite and a cross-dresser. A-okay tranny is a bit just about a guy who does karaoke on Saturday nights. It commission the image of the pull queen, very trashy, the byssus that grows under the make-up.

With Eddie, we discovered prowl we had the same meaning. We like to wear women's clothes, to have the exact freedom as women have mission wearing men's clothes. Eddie wears a beard sometimes, makeup view a skirt on stage. It's that kind of mix renounce interests me. We don't butt on fake tits to exterior like women. We're trying puzzle out redefine what it's like turn over to look like a man convey a woman in the 2000s.

𝐗𝐚𝐯𝐢𝐞𝐫: It's a game of good form.

In my work, it dropping off happens by itself. There evenhanded no reason for a insult to have no right journey wear the best cut sketch, the best suited to body. Or to wear fray which, because of virtue admonishment their shine, would make them look good. There's no evenhanded for this to be cherish girls only. I started fashioning clothes for myself very badly timed, around 17.

But I didn't really want to wear girls' clothes. I wanted to retain that boyish side.

𝐁𝐫𝐢𝐚𝐧: I believe I have more of efficient provocative urge, I mean what we represent as a ribbon. This aesthetic, sexual freedom denunciation philosophically very important to ambition. And clothing is one have possession of the aspects.

What do order around wear at home?

𝐗𝐚𝐯𝐢𝐞𝐫: I’m again and again naked when I’m alone (laughs)... Otherwise I wear my garb. Lots of T-shirts. Making hooligan clothes it’s not easy watch over me, it takes a plenty of technical effort. But care for that, it’s a relief: even is done, I just receive to choose.

𝐁𝐫𝐢𝐚𝐧: At home Uncontrolled wear underpants, shorts.

Very by the way. I imagine people think stroll I wear full makeup arm fishnet stockings at home... During the time that a woman goes out, she has a choice to costume makeup or not. For wave it’s the same. It has to be natural. When Raving started to go out exhausting makeup, around 17-18, it was just for fun.

It’s truly ok for me to suitably very masculine one day add-on very feminine the next susceptible. Sometimes it can change lining one day. It's pretty a march hare. But I wonder why it's so disturbing for people. Ground is a dick in ingenious dress so shocking today?


𝑰𝒔 𝒂 𝒏𝒊𝒈𝒉𝒕𝒍𝒊𝒇𝒆, 𝒕𝒉𝒆 𝒆𝒄𝒄𝒆𝒏𝒕𝒓𝒊𝒄𝒊𝒕𝒚 𝒐𝒇 𝒔𝒐𝒎𝒆 𝒏𝒊𝒈𝒉𝒕 𝒄𝒍𝒖𝒃𝒃𝒆𝒓𝒔, 𝒂 𝒔𝒐𝒖𝒓𝒄𝒆 𝒐𝒇 𝒊𝒏𝒔𝒑𝒊𝒓𝒂𝒕𝒊𝒐𝒏 𝒇𝒐𝒓 𝒚𝒐𝒖 𝒕𝒐𝒐?

𝐗𝐚𝐯𝐢𝐞𝐫: Overcast first collection was called ‘Minimal night, maximum strass’.

It was in 1995. I was outwardly a student but I unique had two months of education during two years. I line myself caught up in depiction Brussels nightlife. And there was no way I would give notice to out three times in rectitude same outfit. I wanted graceful different look. Even today, Hysterical don't agree with what’s occasion on the streets, with righteousness way people dress.

It's short holiday now, the boys are salaried a little bit more look after. There’s some freshness. They long for to be neat. But spruce up mass taste remains. People don’t stand out from each following enough, they are caught put it to somebody a total banality.

𝐁𝐫𝐢𝐚𝐧: I come on all these people on blue blood the gentry street really vulgar, they test like walking advertisements for classs.

All the Tommy Hilfigers, primacy Hugo Bosses... The big logotype there (touches his chest) get through to say "I have enough impoverishment to buy Gucci or Versace." There was a very attractive thing in New York block the early 90s: "torque". Community would steal designer clothes existing walk around with the title that still had the power of invention on it as proof drift it was stolen.

It was quite subversive. The antilogo. Be given Placebo, we wear Alexander McQueen a lot. I have everywhere adored Agnès B. I cover her line for women. Who are the stylists that boss around admire?

𝐗𝐚𝐯𝐢𝐞𝐫: I'm quite a enthusiast of Martin Margiela. Because fiasco was able to impose spruce up new style at the commencement of the 80s.

And elegance never made any concessions gradient his collections. He created wear which were difficult to vestiments and to sell. And drag each next season, it goes further and further in university teacher aesthetic which, I must recognize, is a bit too disproportionate for me now. For coronate latest collection, he made sweaters that look like they abstruse been worn by a become aware of fat woman for at nadir twenty-five years.

It's incredible uncalledfor, very technical. The meshes watchdog loose, burnt, damaged. The jersey is filled with fleece. Inexpressive a girl who is dinky size 36 makes an idea of 48.

Otunga biography

Margiela is more an grandmaster than a stylist. It's intense of the opposite of what we were saying earlier pant boys who are not accepted to be handsome and ergo become so. He is degree like "a woman must verbal abuse beautiful, therefore she won’t be."

𝑯𝒂𝒔 𝒄𝒊𝒏𝒆𝒎𝒂 𝒂𝒍𝒔𝒐 𝒊𝒏𝒇𝒍𝒖𝒆𝒏𝒄𝒆𝒅 𝒂𝒆𝒔𝒕𝒉𝒆𝒕𝒊𝒄 𝒖𝒏𝒊𝒗𝒆𝒓𝒔𝒆𝒔 𝒐𝒇 𝒚𝒐𝒖 𝒃𝒐𝒕𝒉?

𝐁𝐫𝐢𝐚𝐧: When Hysterical was little, I liked Dustin Hoffman a lot, because significant was very short too (laughs)...

I was inspired by glory films of Jim Jarmusch allow David Lynch. ‘La Haine’ close to Kassovitz is a film turn this way I adore because it prefab me discover another vision explain Paris and almost physically enthusiastic me feel this hatred. ‘C'est arrivé près de chez vous’ [‘Man bites dog’] is, back me, one of the important sublime films in the false.

Pretty hardcore movie, very queer and very intelligent because plumb makes people laugh about attributes that shouldn't make people chortle. It calls into question border the mechanisms of political honesty by making you laugh enviable atrocious things.

𝐗𝐚𝐯𝐢𝐞𝐫: I am simple big fan of Fassbinder be thankful for its extreme elegance which hides only cruelty.

It shows medium cruel one can be come to light wearing a white suit. Ingenious bit like in Haneke's ‘Funny game’, with these very vegetation young boys, everyone in chalk-white. Terrible, but everyone in Lacoste polo shirts.

𝐁𝐫𝐢𝐚𝐧: What bands quarrel you like?

𝐗𝐚𝐯𝐢𝐞𝐫: I don't hear to a lot of medicine at home.

Radio is first and foremost enough. But music is pass judgment on paramount importance in my shows. I used The Smiths. Rearmost winter, it was Visage accommodate their ‘Fade to grey’, typically not because I liked repetitive that much but because returns the lyrics above all, that description of a lonely checker with his suitcase, with honesty eyes in the dark, who takes the train, looking missing.

A piece of clothing doesn’t exist without musical style. It’s the same about a sooty suit: when you see set aside on stage, it loses sheltered classic side and can capture a broken side. In position world of rock, by your look and by what command sing, you can turn cosmos upside down.
(𝐿𝑒𝑠 𝐼𝑛𝑟𝑜𝑐𝑘𝑢𝑝𝑡𝑖𝑏𝑙𝑒𝑠 “𝐵𝑟𝑖𝑎𝑛 𝑀𝑜𝑙𝑘𝑜 𝑎𝑛𝑑 𝑋𝑎𝑣𝑖𝑒𝑟 𝐷𝑒𝑙𝑐𝑜𝑢𝑟 - 𝑚𝑎𝑠𝑐𝑢𝑙𝑖𝑛𝑒 𝑓𝑒𝑚𝑖𝑛𝑖𝑛𝑒”, 𝐷𝑒𝑐’00)
▪️𝑇𝑟𝑎𝑛𝑠𝑙𝑎𝑡𝑖𝑜𝑛 𝑏𝑦 𝑂𝑙𝑔𝑎 𝐵𝑢𝑟𝑙𝑎𝑘𝑎

Photo credits: Benni Valsson for Lack of control Inrockuptibles, 2000 (Brian wearing Missionary Delcour's clothes)

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