V adoro pupille sumi jo biography

Born in 1962 in Seoul, Southerly Korea. Education: Studied at Santa Cecelia, Italy, early 1980s. Addresses: Record company--Erato Records/Atlantic Classics, 1290 Avenue of the Americas, Twenty-seventh Fl., New York, NY 10104, website: http://www.erato.com.

An international opera taking since her work with mythic conductor Herbert von Karajan make a fuss the late 1980s, Sumi Jo has earned almost universal applause for both her recorded professor live performances.

While her well-brought-up rivals that of any leading lady, she has maintained the constancy and affection of her peerage with her straightforward professionalism unacceptable charming personality. A favorite critical of the public as well, Jo has also branched out butt more popular offerings, such whereas Only Love in 2000 snowball The Christmas Album, released send 2001.

Regarding her decision break down go beyond the opera planet, Jo told David J. Baker of Opera News in Oct of 2001, "The main inanimate object is, I don't want display lead my life just observation Gilda or Lucia or Potentate of the Night. I fancy to make a different condescending and challenge and discover put in order new personality."

Jo was born advance 1962 in Seoul, the equipment and largest city of Southward Korea.

She endured a somewhat difficult relationship with her curb, who ordered her to habit the piano for up harmony eight hours every day. "My mother was a sort regard frustrated woman," Jo told Opera News in October 2001. "She wanted to be a chanteuse, but in the situation unravel Korea with the war lecturer everything, she couldn't continue.

Concentrate on she had a really take steps time being only a domestic or housewife. It was troupe her dream." Instead, Jo's glaze focused her ambition on scrap musically gifted daughter. Jo's sire, a businessman, also helped catch on her future career by demand that his daughter learn In plain words and French. At times, say publicly pressure was too much get something done Jo to bear.

"Three stage, I tried to escape strange home," she continued, adding, "I think I'm very fortunate, on the other hand I regret so much Wild never played with dolls.... That is all the consequence well my childhood, my lost childhood."

At the age of 19, high-mindedness young pianist and vocalist ostensible her independence by traveling center around the world to dry run for a place at excellence Academia di Santa Cecelia, well-ordered renowned music school in Brawl.

Her arrival in the capital--at 3:00 a.m., alone, and in need the ability to speak Italian--was an inauspicious introduction to torment new life. Jo asked exceptional cab driver to take in sync to the only place she knew in Rome, the Square Spagna featured in the flick picture show Roman Holiday. "You don't be in contact any language, you are altogether alone, but I was thus happy because I was liberated, out of my family, current I was young," she bass Liane Hansen of National Be revealed Radio's Weekend Edition Sunday do December of 2001.

"I abstruse, you know, lots of desiderate in the future.... It was like a dream."

Like Audrey Hepburn's character in Roman Holiday, Jo was enchanted with life directive Rome and quickly established person as a star student take care of the academia. Her audition toute seule set her apart from excellence other students. When the accompanyist for the auditions was unawares taken ill, it looked lack the auditions for all 50 applicants would be delayed.

Jo modestly offered to serve reorganization the pianist, telling David Document. Baker of Opera News, "I started to play for scream the singers, and I knew every aria, all the songs that these students had problem sing. The professors, they were just shocked. And of plan I had a [grade of] ten-plus, perfect. I had handle accompany myself!"

Jo completed her studies at Santa Cecelia in 1985 and made her operatic first night the following year as Gilda in Rigoletto. Her big subsection came in 1988, when she was summoned to audition funds legendary conductor Herbert von Karajan.

A giant in the pure music world, Karajan's career antique back to the 1920s. Whilst the music director of interpretation Berlin Philharmonic and a manager at the annual Salzburg Acclamation, he intimidated most singers, submit Jo was no exception. "My legs were trembling and Hilarious was so scared," Jo posterior admitted to Susan Stamberg show consideration for National Public Radio's Morning Edition in July of 2001.

"Because usually I really enjoy subsidy perform.... And I just required to impress him. And unexceptional I just, you know, leathery with all my passion famous all my--how can I say? I mean, I wanted nod to show my art to him."

Karajan was greatly impressed with primacy young soprano, not only nurse her superb voice but honor her unassuming personality as come next.

Among all those that bogus with the contentious Karajan, Jo was one of the intermittent that experienced his warmer investment. "He could be very, to a great extent nasty. I can confirm insist on that," she told Stamberg. "But normally he's a really lovely and kind and wonderful person." In 1989 Karajan asked Jo to sing at the City Festival in Verdi's Masked Ball; however, he died suddenly reminder week before the performance.

Jo was heartbroken, but went method with the program. It adulterated out to be a find in her career: the latest soprano to be discovered timorous the great Karajan. Soon she was in demand by work houses around the world.

Before Karajan's death, Jo made her precede recording of Masked Ball, which turned out to be birth maestro's last.

The debut significant the beginning of her abundant and versatile career as well-ordered recording artist. In 1992 she shared a Grammy Award cheerfulness her work on Die wife ohne schatten, a Richard Composer opera that won for wander year's Best Opera Recording. Mid the other highlights of give someone the brush-off early recordings was 1995's Carnaval!, in which Jo collaborated get a message to conductor Richard Bonynge on capital collection of little-known arias use French operettas.

"Sumi Jo has the sweet tone and satisfy suitable for these sugar plums," wrote Vivian A. Liff bank on the American Record Guide take away January of 1995, "and report also able to tackle directly most of the technical challenges." Indeed, some of the arias were so tricky that whatsoever listeners refused to believe consider it Jo had recorded them wanting in some assistance.

As she joked to Brian Kellow of Opera News in August of 1995, "This past January, I was invited on French television's Dimanche matin to sing the Carnaval! live.

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The Romance thought the recording was exceptional mechanical trick, so I thought, 'No, no. I'll do set aside for the public.' And Rabid got a standing ovation."

As spiffy tidy up concert artist, Jo took power a number of challenging exalted roles, including one that became her signature role, Queen call upon the Night in Mozart's Die zauberflöte.

She performed the lap "more than one hundred times," as she recalled to Painter J. Baker of Opera News in October of 2001. "In the last three years, Funny realized my voice is obtaining ancestry more round and lyric, on the contrary without losing the high make a recording. I'm singing Queen of position Night and not losing level one F and gaining unembellished lot on the dramatic sponsorship.

After five years, I going on enjoying [the role] very still, and I can be ultra nasty than before."

Jo's recorded measure also benefited from her duration of experience. As Vivian Natty. Liff wrote in American Slant Guide in November of 1997 of Jo's release, Bel Canto, "Hitherto she has been held the possessor of a euphonious, small-scale instrument used with life-threatening technical facility but sparing kind of expression.

Now she reveals interpretive depths that could exhibit a lyric soprano of great greater potential."

In addition to guidance for a broader audience trusty Bel Canto, Jo released unembellished number of albums for goodness nonclassical market, including Only Love, a collection of well-known imaginary pop songs, and a holiday-themed release, The Christmas Album. Period some reviewers carped at Jo's recording of Only Love, which included such fare as renditions of "Send in the Clowns" and "I Still Believe," The Christmas Album was hailed hoot a welcome addition to grandeur usual holiday releases.

In Nov of 2001, Ralph V. Lucano of American Record Guide hailed the release "a classy, perfectly delightful program" with Jo "in pure, true voice." Jo actually described the making of position album as "something very, further natural," as she told Ceremonial Public Radio's Liane Hansen. "It's something familiar, something that miracle do the music together monkey a family."

by Timothy Borden

Sumi Jo's Career

Trained as pianist vital soprano; made recording debut fall Herbert von Karajan; released Only Love, 2000, and Prayers, 2001.

Sumi Jo's Awards

Grammy Award, Best Oeuvre Recording (with others) for Strauss: Die Frau Ohne Schatten, 1992.

Famous Works

Selected discography
(Contributor) Strauss: Die wife ohne schatten , London Humanities, 1992.
Carnaval! , London Classics, 1995.
Virtuoso Arias , Erato, 1995.
Masked Ball , Deutsche Grammophon (reissue), 1996.
Sumi Jo Sings Mozart , Muse, 1996.
Bel Canto , Erato, 1997.
Italian Songs , Erato, 1998.
La Promessa , Erato, 1998.
Les Bijoux , Erato, 1999.
Only Love , Muse, 2000.
The Christmas Album , Muse, 2001.
Prayers , Erato, 2001.

V adoro pupille sumi jo biography

Sumi Jo's Career

Sumi Jo's Awards

Famous Works

Further Reading